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Tone and Chord Recognition as an Android Application
Kucharovič, Oliver ; Černocký, Jan (referee) ; Szőke, Igor (advisor)
The aim of this work is to recognize tones and chords on any musical instrument using the microphone on Android mobile devices. The app scans or records the sounds which are analyzed. It writes to a visual representation which is similar to the musical notation. The work describes the problems of recognition and the solution of the problem using fast Fourier transformation and analysis of the spectrum of volumes. Work describes the theory of music and the training of individual tones. The application was subjected to user tests and recognition accuracy tests. The conclusion includes tests results and statistics from the Google Play publication.
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Chord recognition
Soudek, Ondřej ; Glembek, Ondřej (referee) ; Černocký, Jan (advisor)
The goal of this bachelor thesis is to create an application, that will perform a real-time analysis of a signal from electric or acoustic guitar and will recognize a chord or tone, played by user. This document contains basics of music theory and the solution of the problem, as well as the results of testing.
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The analysis of psychoacoustic perception of chords composed from different full and variously colored signals
Vejmělka, Daniel ; Musil, Jaroslav (referee) ; Jirásek, Ondřej (advisor)
This thesis is dealing with the impact of frequency spectrum of musical sounds on psycho-acoustical perception of the listener. It studies how differently filled harmonic spectrums can influence listener’s ability to determine individual notes in a chord and what influence, on recognizability of a chord, inharmonic elements have. It explores different methods of psycho-acoustic measurements and further data processing. The experiment is based on a method of paired comparisons and was realized in a form of listening test with more than 100 participants. The test is focused on typical representatives of different groups of musical instruments. It studies the impact of different colors of sound used in different types of chords. It further deals with statistical processing of the recovered data.
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Psychoacoustic Perception of Equal Instrumental Chords Distributed Differently in Stereo
Juren, Vojtěch ; Musil, Jaroslav (referee) ; Jirásek, Ondřej (advisor)
This thesis deals with psychoacoustic perception of equally instrumented chords distributed differently in stereo. Also this thesis deals with psychoacoustic perception of unequally instrumented chords distributed differently in stereo. The thesis shows what is psychoacoustic perception, according to what is sound color determined, how does masking work between sounds and for people. Next, it shows examined chords which were differently distributed in stereo. These chords were listened by 72 listeners. They did, according to given scale, evaluate intelligibility of instruments within the chord where every individual tone was played by different instrument. The instruments were categorized into three categories according to their creating higher harmonic components. Also, the listeners evaluated intelligibility of the chords. The data were evaluated with help of psychoacoustic method called semantic differential and the results were set.
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Psychoacoustic Perception of Equal Instrumental Chords Distributed Differently in Stereo
Juren, Vojtěch ; Musil, Jaroslav (referee) ; Jirásek, Ondřej (advisor)
This thesis deals with psychoacoustic perception of equally instrumented chords distributed differently in stereo. Also this thesis deals with psychoacoustic perception of unequally instrumented chords distributed differently in stereo. The thesis shows what is psychoacoustic perception, according to what is sound color determined, how does masking work between sounds and for people. Next, it shows examined chords which were differently distributed in stereo. These chords were listened by 72 listeners. They did, according to given scale, evaluate intelligibility of instruments within the chord where every individual tone was played by different instrument. The instruments were categorized into three categories according to their creating higher harmonic components. Also, the listeners evaluated intelligibility of the chords. The data were evaluated with help of psychoacoustic method called semantic differential and the results were set.
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The analysis of psychoacoustic perception of chords composed from different full and variously colored signals
Vejmělka, Daniel ; Musil, Jaroslav (referee) ; Jirásek, Ondřej (advisor)
This thesis is dealing with the impact of frequency spectrum of musical sounds on psycho-acoustical perception of the listener. It studies how differently filled harmonic spectrums can influence listener’s ability to determine individual notes in a chord and what influence, on recognizability of a chord, inharmonic elements have. It explores different methods of psycho-acoustic measurements and further data processing. The experiment is based on a method of paired comparisons and was realized in a form of listening test with more than 100 participants. The test is focused on typical representatives of different groups of musical instruments. It studies the impact of different colors of sound used in different types of chords. It further deals with statistical processing of the recovered data.
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Tone and Chord Recognition as an Android Application
Kucharovič, Oliver ; Černocký, Jan (referee) ; Szőke, Igor (advisor)
The aim of this work is to recognize tones and chords on any musical instrument using the microphone on Android mobile devices. The app scans or records the sounds which are analyzed. It writes to a visual representation which is similar to the musical notation. The work describes the problems of recognition and the solution of the problem using fast Fourier transformation and analysis of the spectrum of volumes. Work describes the theory of music and the training of individual tones. The application was subjected to user tests and recognition accuracy tests. The conclusion includes tests results and statistics from the Google Play publication.
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Guitar chord playing
VÁVRA, Tomáš
The aim of my diploma thesis is to summarize my knowledge of the guitar chord playing during working in the institution Dům dětí a mládeže in České Budějovice where I have been teaching for four years. It is focused on readers who teach guitar chord playing as an after-school activity or who learn how to play on their own. In the first part of the thesis there is a concept about the lector's theoretical knowledge. The second part (containing particular lessons) deals with the methodology of teaching the very beginners with no musical education.
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